电(diàn )影讲述了上世纪九十(shí )年代的哈(🏽)萨(sà )(🐌)克小镇,四个少年各自的生命之路(lù )。扎(🎗)哈(hā )拉斯(sī )(🥈)正在备受父亲的(🗼)煎熬(áo )(🥩),后(😧)者(zhě )因曾是一个(gè )(🎲)诈骗犯而找(♑)不到工作,为了帮助(zhù )父(🎩)亲(🤷),他不(bú )得不在玉米加工厂打工。巴拉潘有(🛺)一(📞)把好嗓子,能(néng )够(gòu )将(jiāng )“万福玛丽亚”唱(🤯)的娓娓(wěi )(🤷)动听,然(rán )而校(xiào )园生活教(jiāo )会他的是使(⏯)用自己的拳(💱)头而不是声音。扎哈巴则(zé )在流浪(🐑)在村(🙌)子里的(🌞)垃圾堆中(zhōng ),寻找可以卖(mài )的废金属,他与其(🚻)他三(🕙)名同龄离家出走的男孩(🕐)子(zǐ )睡在(🚴)废弃(🤖)的隧道中(zhōng )。阿斯兰正在为(wéi )(💔)医药学努力(🛎),然(rán )而(🐾)当他(tā )说服(fú )(➡)自己(🐛)的女朋友堕胎之(zhī )后,他的人(rén )格发生(💯)了彻(chè )底(🏒)的改变(🎥)。 A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016
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